I have been asked by
hundreds of children - How do Cymbals come into existence? The answer is
simple. They happen when the music hits the light.
Sweet Mother Night, now let your purple cloak enfold us.
Your fingers in mine, a bridge of tendons and bone. Your
voice like the low wind in the grove. I can smell eucalyptus when your mouth opens.
Our wine is abandoned – the gloaming is our cup.
The company has faded, you’re singing only for me. Your
voice is the gift and I’m on my knees to receive it. There are tombs on either
side of us, incised into the velvet of the sky. When this city falls, we will
have again what we always did: dust and rock, bush and tomb.
There is a holiness which has no eternity in it, which will
not survive the light of day. This is the unwritten present, the taste of
possibility. You are not old, and I am not young. We are all ageless in the
loose grasp of the purple night. Look at me now. I’m made of bronze. This is
no less than you deserve, and it’s all we have on earth.
That Petrol Emotion - Stories of the Street - 1991
(a cover of a Leonard Cohen original)
In our transient city lies an eternal necropolis. All of these tombs are full of those, who were once like you
and me. They let their flesh have penury, and the souls eternal night. The rest
of the world is sleeping. We are those the night has bound till dawn. Your hair
catches the light of the lanterns in the trees. Lean your lips into mine. There
is not another world, and the one allowed us is dying.
I didn’t know you could feel this bad about something so distant;
I was taken aback by the extent of my sadness. David Bowie’s death left a hole
in the walls of my mind the size of the 20th century, the same place
as JFK and Gandhi, Muhammad Ali and John Lennon’s glasses. When you’re don’t
look straight at a thing, you don’t realise how much you took for granted. I
guess I had always thought he was immortal, made of the same tough fabric as
Keith Richards or Bob Dylan or Old Man Cohen, and it is with further shock that
I realise they may not be immortal either. And if they are not, then maybe one
day I will die, and everyone I have ever loved will die, and there’s less time
than I thought there was.
2005
He said, listen to Heroes. Listen to Bowie sing Heroes, and
then listen to the Wallflowers cover. They didn’t get it. Listen to the Man who
Sold the World, and then listen to Kurt Cobain in his cardigan. They all missed
the trick.
David Bowie - Heroes - 2002
No one understood that he was joking. We can’t be heroes. We’ll
just tell ourselves a beautiful lie. No one understood that he never meant a
word he said, but he meant a lot of things he never said. He meant the spaces between
the words. He meant his arch intonations and meant his dancing and his
mismatched eyes were telling a truth. But he was lying through his teeth.
The best kids, the really smart ones, the ones who can be
anything they want and do everything and get away with murder – they all have
no great adherence to the truth. He didn’t know that when he said it, but he
was one of those too. Just like David Bowie, too big to pour into truthful
words. He told beautiful lies, the bastard. The poor sad bastard.
2007
You put your hands on top of mine, and mine were very large
and yours were very small, almost boyish. You smiled shyly and I hadn’t
realised till then that you were actually a shy person. We got the bill and
left the bar, down the stairs, past the aquarium. We kissed in the car, at the
red lights. At your place, your room mate waved distantly. I wasn’t the first,
and I wasn’t going to be the last. You locked the door, standing on tiptoes to
get to the latch. You turned on your
laptop and played Hunky Dory and we
turned down the lights. The light from your screen washed across your chest.
Your body was so spare, and I thought of David Bowie, and how appropriate
everything was.
David Bowie - Oh! You Pretty Things! - 1972
Then there was a knock on the door, and your neighbour
needed me to move my car. I jumped into my pants and cursed and ran downstairs
with your sheet wrapped around my chest. My car wouldn’t start. I pushed it
across the street and ran back upstairs. To hell with the car and your neighbours.
All I wanted right then was to perfect myself against your thin back, your
shoulderblades so sharp.
Afterwards, you told me I was beautiful in a strange and
unusual way, that I was ugly in photographs but beautiful in the flesh. I was
so gratified by that description – it fitted into whom I thought I was, and
whom I thought I was that night. You lay on me, and I strummed on your back.
You told me not to think of you as a new car, a thing you buy and show off, and
I laughed. It amused me to be accused of the wrong crime.
David Bowie - China Girl - 2002
When I left, you wrapped yourself in the same sheet and came
down to the car. It still wouldn’t start, but I gave it a push and jammed it
into second gear and it coughed to life. That night, I felt like my life was
sliced from a great story just being written.
The Future
This is the world I was dreaming of with her.
The flat where we could finally put out plants on the
balcony. The yellow walls with the monochrome posters. The cramped little house
where we were going to raise our kid, cramped because I never wanted to be too
far from her.
David Bowie - Kooks - 1971
The small table where our friends bring a bottle and we potluck. The
guitar by the couch. The posters on the wall. The unmade bed. This is the
kitchen where I was going to make eggs and brew coffee for her. This was what
could have been, if she had only listened. But she would have had to listen to
the things I had never said.
David Bowie - Lazarus -2016
I’m glad that she quit smoking, but sometimes I
think I’d like to come out onto the balcony and see her leaning into the
street, smoke curling above her shoulder, into the weekend sun, my love.